Design Principles: Exercises


4.1.2022 - 21.1.2022  (Week 1- Week 3)
Tan Yi-Tyng (0353327)
Bachelor of Design (Hons) in Creative Media
Design Principles 
Exercises



INDEX



LECTURES

Week 1 
In our first lecture on design principles, we were briefed on the module information booklet and explained what we should include in our blog by giving us examples of some senior blogs. Then, Dr. Charles introduced the elements of visual design, which are Element & Principle of design and Gestalt Theory. Before the end of our class, Dr. Charles gave us a class activity, and we could use any alphabet in our name to design our own monogram. Then Dr. Charles will be commenting on each of our designs. After our class, there are also some extra lecture videos explained by Dr. Jinchi to further explain visual elements in design. Through this week of lecture, I have got a lot of understanding of various design elements and principles. Understanding and well using visual elements is the most important part of creating an effective and attractive composition in design.

Week 2 
Before our tutorial section, Dr Charles has created a class activity, and we need to listen to the music played by Dr Charles and draw it out what comes out in our mind by using simple design elements. Dr Charles also suggests us to close our eyes and feel the tempo and rhythm of the music. I felt very enjoyed participating in these activities, as we are taught to use this way to motivate and express our creativity. Through these activities, we could also learn from each other's design artworks and I'm so amazed and admired what my classmates have created their works. Then Dr Charles proceeded to the tutorial section. 

Week 3
Due to the public holiday, we only have one class for this week. Firstly, Dr Charles has a further explanation for us about the process of design thinking. I remember how he explained that "every design in the world are based on the user's needs" "design thinking has to always start with understanding the user requirement, even community or individual. Next, Dr Charles has briefed us on the new assignment, which is Project 1-self portrait. Project 1 is about required us to express ourselves, and a summary of ourselves regarding our life experienced such as hobby, culture, favourite food, etc. This project will not limit us, and we can use any medium to express our idea. Dr Charles has also shown a class demo for us and shared his design process to make us more clear on completing our assignment. 


Topic 1.1 Elements & Principles of Design 
Elements of design 
The elements of design are the building blocks, they refer to variety types of parts that can be combines and arranged in a different ways to construct your design projects.

Fig.1 Element of Design 

1. POINT
A point is one of the most basis visual element of design. A series of connected points can be form as a line.
Fig.2 Point
Fig. 3 using a series of points to create an artwork

2.LINE
Line can be divided into many different types. Such as, straight, curved, thick, thin, solid and dashed. The directionality of a line with the composition of oblique or slanted line will also give a sense of movement and dynamism. A grouped of line can also represent qualities of light and shadow to form pattern and textures.
Fig.4 types of lines
Fig. 5 draw out a girls using line only

3.SHAPE
Shape is defined by the boundaries and are limited to two-dimensional area .So it’s flat and nature
There can separate into two type of shapes, one which is geometric shape that tend to be precise and regular (circles, squares, triangle) or organic shape which are more nature and freeform.

Fig. 6 Geometric shape

Fig.7 Organic shape 

4.FORM
Form can be described as a three-dimensional object and the space is called volume when the space is encloses. Besides , a form can also be created with two-dimensional through media such as painting, illustration or drawing.


5.TEXTURE
Texture is the appearance of a surface material. There are two type of textures.
Actual texture: experiences by touch
Implied texture: create the illusion of the surface material to look like the real texture

Fig. 8 Actual texture

Fig. 9 Implied texture


6.SPACE
Space is the distance or area between, around or within objects. Space can be defined as positive space and negative space. The positive space of a design refers to the actual object itself that are easily be focused that filled space in the artwork. Negative space is the background or the area that surrounds the subject of the design. While we can experience the three- dimensional space when we are in it.

Fig. 10 Space 


7.COLOUR
Colour is the amount of light spectrum reflects when light falls on a surface. The parts which reach our eyes is perceived as the colour of the object. 
Fig. 11 Colour spectrum

Characteristic of colour:
 - Hue : is where a colour is positioned on the colour wheel. Technically the hue is the colour which it a design element in itself.
Fig. 12 Hue

 - Value : is refers to the darkness or lightness of a colour from white through greys to black. Black and white pigments can be important ingredients in changing the colour values. White added to a hue produces a tint, Grey added to a hue produces a tone, Black added to a hue produces a shade. 
Fig. 13 Value


 - Saturation / Intensity :  is refers to the purity of a hue. When added pigment (black, white, or grey) into to a pure hue, its intensity diminishes and is dulled. 
Fig. 14 Saturation

Colour schemes are generally created by selecting and combining two, three or four colours in a palette.

- Monochromatic:  any set of colour that all have the same hue with different levels of white tinting and black shading.
- Analogous: colour schemes are a group of 3 colours that are adjacent to each other on the colour wheel.
- Complementary: Colours from opposite positions on the colour wheel 
Fig. 15 Color scheme


Principle Of Design 
The principles of design refers to some combinations of design elements to create an effective and attractive visual composition. 
Fig. 16 Principle of design

1. Contrast
2. Balance
3. Emphasis
4. Rules of Third
5. Repetition/Pattern/Rhythm
6. Movement
7. Hierarchy
8. Alignment
9. Harmony
10. Unity
11. Proportion


Topic 1.2: Contrast & Gestalt Theory
Gestalt Theory
Gestalt theory are the principles of human perception defined a group of similar elements, easily recognize pattern and simplify complex images into more simple form.
Fig. 17 Type of Gestalt Theory 

Similarity
 
When the elements in a design appear with similar characteristics to each other, viewers will often visually group them together and tend to think they have the same function. They can be grouped by colour, shape, size or texture.
Fig.18 Similarity

Fig.19 Similarity

Continuation
Human eye tends to see a continuous flow of visual elements follow with the path, lines and curved of a design rather than separated objects. 

Fig. 20 Continuation

Closure
When human eye sees a visual elements that has missing parts, our brain will automatically filing in  the missing visual information with perceiving a complete shape. 

Fig.21 Closure

Proximity
The arrangement of the elements are close together, we tend to perceive them as a group or more related to each other. 

Fig.22 Proximity


Figure / Ground
The eye’s tendency to perceive the objects as whether being the foreground or the background where can be show that contain two different images.


Fig. 23 Figure-Ground


Fig.24 Figure-Ground

 

Topic 2: Balance and Emphasis

Balance
The way of visual elements are distributed properly, so that the composition of the design gives a feeling of stability. There are three types of balance.

Symmetrical Balance- mirror image balance of a central line with the same weight
Asymmetrical Balance- Unequal visual weight on either side of a central line, however those unequal visuals need to balance each other.
Radial Balance- Visual elements are arranged around a central point in the composition. It can create a focal point and lead viewers eye towards the center.

The golden ratio
A mathematical ratio that can be apply in design to creates a composition with harmony ,balance, and aesthetic.
 
Rules of third
Place a grid overlay on an image or design and divided equally into thirds, both horizontally and vertically, the subject is placed at the intersection of those dividing lines. 

Emphasis
Draw the viewers’ attention to a specific part of a visual element with colour, line, shape or texture. 


Topic 3: Repetition and Movement

Repetition
Repeating one of the element through the design to creates a certain consistency. 

Movement
Design that using a path to leads the viewer’s eye through a composition by using shape, form, line or curved. 

Hierarchy
Guide the viewer’s eye to perceive the most important information first by using the arrangement of the visual element in a composition. 

Alignment
The placement of elements that line up along common rows or columns to group elements and create a sense of unity.


Topic 4: Harmony and Unity

Harmony
The selection of elements that have similarity to create a sense of togetherness with others separated parts. 

Unity
By using the repetition of elements such as colours, shapes or material throughout the design to create a senses of oneness. 


Topic 5: Symbol, Word and Image

Symbol 
A sign, shape, or object that is used to represent something else.

Pictorial symbols- image related and simplified pictures
Abstract symbols- look like the objects that they represent but have less details
Arbitrary symbols- no visual similarity to the objects, we have to learn it as the symbol is created and decided on their meaning.

Word and Image
Using a relevant images or texts will easily convey the viewers to relate to a message and concept or a brand.



INSTRUCTIONS




VISUAL RESERACH

Exercise 1 (Gestalt Theory)
After studying and understanding all principles of design, the gestalt principle of figure-ground has left a strong impression on me. The principle of figure-ground is defined as that viewers naturally perceive the objects as either being in the foreground or background. They either stand out prominently in the front (the figure) or recede into the back (the ground). I thought this principle was so fascinating, and I believe that this would be very interesting if I could apply this principle in my exercise. Then, I started to look through or get inspiration from some references online.

Several designs that I found how good they apply gestalt theory in their artwork:


Fig. 25 Gestalt Visual Research


Fig. 26 Gestalt Visual Research

Exercise 2 ( Emphasis )
For the second exercise, I narrowed down my choices into either using the principle of contrast or emphasis and thinking of the theme that I could use in my exercise. Then, I tried to look online for some inspiration on how to apply it to designs. I found this artwork on Pinterest ( Fig. 27 ), this artwork showcases an abstract human figure taking out a piece of the puzzle with its eye on it. I was very impressed with this creative puzzle concept. So, I decided to use this concept and create a design based on the principle of emphasis for my second exercise. 
Emphasis is the principle of making one area as a centered interest in an artwork to catch viewers' attention to that part. Usually achieved by colour, size, texture or shape to make it contrast with other areas. 

Fig. 27 Reference

    

Fig. 28 Reference



 
Fig. 29 Reference


IDEA EXPLORATION AND DESCRIPTION

Exercise 1
During this brainstorming process, I searched lots of artwork to get inspiration. I wasn't expecting that I had spent 3 days all day and all night sitting in front of the screen still haven't gotten out an idea for my exercise. To be honest, I feel pressure in this process as I attempt to sketch and brainstorm a few design ideas, but I am still not satisfied with those ideas and wasn't quite sure about what I wanted. 
Suddenly, I found this artwork on Behance (Fig. 30), which well uses of figure-ground with alphabet. It shows a hand with a black background. The object can be perceived as either the hands or H alphabet with solid black. This artwork had also inspired me that the hand posture can show the sign of help. It reminds me of a topic that I have been paying close attention to lately: ' Girls help Girls.' This is a movement that has swept through pop culture, highlighting the essential part of feminism as being the mutual support of women by other women. It encourages women to lift each other rather than tearing each other down.
Fig. 30 Inspiration 

Thus, I wanted to bring out this topic and use it as my theme in my exercise. The initial idea that came up in my mind was to incorporate women's hair to shape out the silhouette of a hand. However, when I roughly sketch it out (Fig. 31), it doesn't fit what I want to achieve the principle of figure-ground. Then, I decided to draw it in another way. 

Fig. 31 Initial idea sketches

I started off by searching lots of hand postures and trying to see whether I could create a design about girls and link up with hand posture. Surprisingly, when I rested and lay on my bed, putting my hand up and trying different hand postures to look for any inspiration. I suddenly noticed that my hand had shaped out a women side face, and I can use this idea in my drawing. So, I quickly asked my father to help me take photos of my hand, and I started to do some sketches on it.

 

Fig. 32 Reference for the hand posture

 

Fig. 33 Reference for the hand posture and sketches 

I began to search for some references with some girls side profiles.

 

 Fig. 34 Reference of girls side profile

 




 Fig. 35 Reference of girls side profile
Firstly, I drew out the outline of the hand and tried to touch up the curve part of the hand as I wanted to let the hand be the object that shapes out the girl's side profile. Then, I colour the hand with black colour. After thinking of the overall design, I decided to adjust the hand to 45 degrees rather than horizontal. So, we can see more parts of the hand and direct the viewer's eye through the composition from the upper corner side to the lower corner side. 
Fig.36 'Girls help Girls'

Exercise 2
With that concept in mind, I tried to think of what theme I could use for my exercise to make it more attractive. I wanted the theme for my artwork to signify something that relates to our daily life. Then I came up with the idea of the topic of our recent life, which is the Covid 19 pandemic. This make the viewer more relatable when viewing this artwork. Then I began to draw up some sketches for my idea. First, I tried to sketch out a human figure and attempt on changing the different proportions of the hand posture to be more normal looking in the composition (Fig. 37). 

Fig. 37 Sketches for different posture 

After sketching out the outline of the human, I started to colour the whole body with black and draw the puzzles on it. Besides, I want to make the face mask as the focal point and emphasize it in this artwork. So I decided to use red colour for the face mask to make it more outstanding as red is one of the most visible and attractive colours to create a contrast effect with the body. Next, I drew the two puzzles that holding by the human.
Fig. 38 Sketch (show my progress during the tutorial)

After the consultation with Dr Charles, he suggests me to colour the two puzzles with grey. Then I coloured it with grey and added a drop shadow for the puzzles, so it didn't look flat. Furthermore, I'm concerned that the background was a little bit empty, so I gave colour to the background with a light yellow and light brown. The reason why I used two colours for the background is mainly to let the viewers visually perceive that there are two parts (upper body and lower body) in the whole composition.

Fig. 39 Final Outcome



FEEDBACK

Exercise 1 
Dr Charles has compliment that the overall design for this exercise 1 is good. He can quickly notice and perceive this artwork using the gestalt principle of figure-ground. And he said that there doesn't need to change anything, very nice. 

Exercise 2
Dr Charles has mentioned that my idea for this second exercise was very interesting. I have told him that I'm concerned that the background is too empty and doesn't emphasize the face mask strongly. However, Dr Charles thought that overall is okay, the background doesn't make him feel empty, and he also stated that he could observe the mask have a high contrast and stand out in this composition. Furthermore, Dr Charles said that it depends on whether I want to maintain the background white, or he suggested that I try out different colours with some off white, cream, or slightly light pink colour. Besides, he also advised me to try to colour the two being held puzzles can be coloured with grey. Lastly, he said that there's a very nice balanced composition in this artwork. 



FINAL OUTCOME

Exercise 1 (Gestalt Theory)

Fig. 40 Gestalt Final Outcome (Title: Girls help Girls)

PDF: 


Girls help Girls
In my final edits, I decided to rotate the artboard from landscape to portrait. This will show the side face of the girls will be more obvious to notice. Besides that, I decided to change the background colour from white to red to make the hand stand out more and the background will not look empty. Red can represent the symbolism of courage, energy and make it a powerful colour in design. The purpose of using this hand posture is to show the sign of lending a hand to others that needs helps. And I designed the composition with the hand silhouette and shaped out a girls side profile. I'm very pleased with the outcome, as this exercise has well used and incorporated hand and girls as a principle of figure-ground. It positively expressed the strong purpose and called out the movement of "girls help girls" hope to improve the prospects for at risk girls and inspire all of us to change the world.


Exercise 2 (Emphasis)

Fig. 41 Emphasis Final Outcome (Title: Missing Parts)

PDF:


Missing Parts
Face masks have become an integral part of our daily life in the effort to prevent the spread of Covid-19. This artwork has truly reflected how we have currently faced the situation of the covid -19 pandemic period for almost 2 years. One of the main problems that have always troubled us is that we were trying very hard to read others facial expression and infer their emotion as we could only observe through their eyes. Furthermore, speaking with a mask, we could also face the problem of communication as wearing masks will make our sound muffled. And even we had to face the difficulty to recognize our new friend face. 
For my design, I decided to create a composition showcasing human features (eyes & nose) replaced by a face mask. As the main object and focal point is the face mask, I emphasize it by using a bright red colour. This will be clearly connected to the theme of this artwork. When thinking up the idea for the puzzle concept, I came up with the idea that the features can be flexible to take in and out. Therefore, we can notice in this artwork the nose on the puzzle and the mouth on the puzzle are taken out as it covered by the face mask. 
When seeing this artwork, I ask myself, where are the missing pieces of the puzzle on the face? OHH! The man is holding it, but when can I put back the puzzles right to the original place..?



REFLECTION

To be honest, I felt very stressed at first of the brainstorming process that I needed to be concerned about the theme, medium and principle of design all at once. However, I was trying to calm myself, and I remember how Dr Charles has constantly reminded us that we need to take time to enjoy and have fun in the process of doing our assignment. If not, we will limit our creativity. Although sometimes I have some doubt and unconfident of myself on creating my design artwork, after the consultation with Dr Charles, he has given me a lot encourage and compliment on my work, which makes me more confident and motivated on myself. After completing the exercises, I have clearly understood all of the principles of design and know how to choose the right one to apply to my design. I have learned so much while brainstorming ideas and getting inspiration from others' stunning works. Besides, during the tutorial section, I have also learned a lot from my classmates on how creative they are to express their creativity and skills in their exercise. Lastly, I was satisfied with how the final outcome turned out, and it really motivated my creativity to create better work in the future. 



REFERENCE & FUTHER READING

Fig.1- https://www.thoughtco.com/what-are-the-elements-of-art-182704 
Fig.2- https://vanseodesign.com/web-design/points-dots-lines/ 
Fig.3- https://pin.it/Qx6XeH2 
Fig.4- https://254-online.com/line-visual-element-graphic-design/ 
Fig.5- https://pin.it/7fLVQT4
Fig.6- https://helpingwithmath.com/2-dimensional-geometric-shapes/ 
Fig.8- https://www.blendspace.com/lessons/TU4Ko7Y9m3liDA/element-of-design-texture 
Fig.9- https://pin.it/5mCkdev 
Fig.10-https://www.edgee.net/how-to-apply-the-7-elements-of-design-to-your-work-element-3-space/ 
Fig.12- https://www.qed42.com/insights/coe/design/hue-color-story-basic-understanding-colors 
Fig.15- https://www.pinterest.com/pin/365847169701936440/
Fig.16- https://www.wix.com/blog/2018/07/7-principles-of-design-websites/ 
Fig.17- https://medium.muz.li/gestalt-principles-in-ui-design-6b75a41e9965 
Fig.18- https://www.interaction-design.org/literature/article/the-law-of-similarity-gestalt-principles-1 
Fig.19- https://pin.it/6cVpand 
Fig.20- https://pin.it/3k09T7r 
Fig.21- https://pin.it/5xMK5bD
Fig.22- https://www.usertesting.com/blog/gestalt-principles 
Fig.23- https://pin.it/5sLLBXr 
Fig.24- https://pin.it/6gbbeEU
Fig.25- https://pin.it/3a7KkPH 
Fig.26- https://pin.it/3jylVF2 
Fig.27- https://pin.it/5lqCjwM
Fig.28- https://pin.it/ee17qun
Fig.29- https://pin.it/6Y3Ayq4 
Fig.30- https://www.behance.net/gallery/101617667/W-Figure-and-Ground-Project
Fig.34- https://image.shutterstock.com/image-photo/image-pretty-young-redhead-woman-260nw-1405524575.jpg
Fig.35- https://image.shutterstock.com/image-photo/image-pretty-young-redhead-woman-260nw-1405524575.jpg
https://www.thegryphon.co.uk/2018/11/12/is-girls-support-girls-unconditional/ 



Comments

  1. Well done!!! The amazing thing about your design solutions, is the conscious attempt to create your statement! I hope this will continue to motivate you to find strong reasons to use design principles for advocacy!

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